witchcraft

Salem had America’s most famous witch panic, but Connecticut had its first

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One of the few surviving papers from the Fairfield, Conn., panic.

Nicknamed “Witch City,” the almost 400-year-old city of Salem, Massachusetts, has become synonymous with witchcraft in New England and young America. Yet even if the Salem trials never occurred, colonial New England would still have a stunningly long, fierce and complex history of witchcraft panics, which started in nearby Connecticut. This excerpt from Connecticut Witch Trials: First Panic in the New World explains:

Connecticut’s witch hunt was the first and most ferocious in New England. Yet few know it ever occurred.

Puritans throughout young, colonial America accused at least 100 people of witchcraft before Salem’s infamous, and now internationally known, witch hysteria. Maine, Rhode Island, New Hampshire, Virginia, Maryland, North Carolina and New York all conducted witchcraft trials during the 17th century, though Connecticut holds the dark honor of carrying out young America’s first witchcraft execution in 1647, 45 years before Salem hanged Bridget Bishop or crushed Giles Corey.

Connecticut also holds the dubious distinction of having a witch panic that spanned several decades years versus Salem’s seven months and, ultimately, a witch hunt that was proportionally much more deadly. Salem executed just 20 of the roughly 180 women and men brought up on formal witchcraft charges, while Connecticut executed 11 out of 34.

“In other words, a charge of witchcraft in Connecticut meant that you would very likely die,” said Connecticut State Historian Walter Woodward at a lecture in Stratford, Conn. In that coastal city roughly 360 years earlier, a woman listed in court records as Goody Basset confessed to witchcraft in May 1651 and was hanged, most likely from crude gallows erected near what’s now the West Broad Street exit off of Interstate 95, in the area of Sterling Park and the Old Congregational Burying Ground.

Although court records are scant, those that exist show that while Goody Basset maintained her innocence throughout her trial, whatever courage she had left disappeared as she walked to the gallows: “Bursting from the procession of … magistrates, ministers and all the dignitaries of the neighborhood, the unfortunate woman threw herself upon a large rock by the roadside,” one historian wrote. “She clutched it so desperately that, when at length she was forcibly detached, bloody marks like fingerprints were seen upon it.”

While most of Connecticut’s witchcraft cases occurred in Hartford and Fairfield, the colonies of New Haven, Wethersfield, Saybrook, Windsor, Wallingford, Easthampton, Farmington, Setauket and Stamford all had “outbreaks” of women and men believed to be in league with the devil.

From the trial of Katherine Harrison of Wethersfield, Conn., 1669.

After Goody Basset, Stratford became involved in Connecticut’s witch trials a second time in November 1692 when a man named Hugh Crotia said the devil told him to hold down and assault a young girl. Judges dismissed the charge, calling Crotia’s case not one of witchcraft, but of “ignoramus,” which in the 17th century did not, as it does today, describe a person who’s an idiot or a fool. In the 1600s, “ignoramus” was a legal term for “we are ignorant of,” meaning judges were not able to determine what exactly happened between Crotia and the girl. So rather than him being bodily punished, he was released with a fine.

Unfortunately, just as judges in 1692 were ignoramus of what happened between Crotia and the young girl, most people today are ignoramus of Connecticut’s witch trials.

Part of the reason is a lack of records. There are no known diaries or first-person accounts from those who witnessed the trials. And the majority of court ledgers and other documents from the period no longer exist. The few delicate, handwritten court papers and depositions that do remain are housed in archives at the Connecticut State Library, Connecticut Historical Society and within the Samuel Wyllys Papers at Brown University’s John Hay Library. Many of these sheets are torn and yellowed, though the Wyllys Papers—while incomplete—include insightful details about several of Connecticut’s accused women, men and couples.

Through the slow, painstaking work of dedicated historians and the ancestors of those accused, details about the lives of some of these “witches” have begun to take shape over the years, as snips of information found in long-unopened files and town records have been matched with those scrawled onto pages of family
Bibles, letters and scrapbooks. But still, Connecticut’s witch trials are unknown to most. Although a handful of plays and stories have been written about the time period, Connecticut has had no Nathaniel Hawthorne, Arthur Miller or other famed storyteller to bring the trials to vivid or widespread life.

In 1958, Massachusetts author Elizabeth George Speare wrote the Newbury Medal-winning The Witch of Blackbird Pond inspired by Wethersfield, Conn.’s witchcraft history. But despite being part of language arts curriculums in middle schools around the country, Blackboard Pond has never brought to Connecticut the kind of historical recognition that Salem received from Hawthorne’s The House of the Seven Gables, Miller’s The Crucible or countless other works.

While most witches convicted in the Hartford area were likely hanged from gallows erected in the Hartford Colony’s south pasture, located somewhere in the vicinity of today’s Dutch Point, some may have also been hanged in Meeting House Square, now the location of the Old State House.

Connecticut’s role in colonial witchcraft history has, in fact, been so well hidden over the centuries that when Yale-educated historian and theologian Benjamin Trumbull wrote A Complete History of Connecticut in 1818, he incorrectly stated in its preface: “It may, possibly, be thought a great neglect or matter of partiality, that no account is given of witchcraft in Connecticut. The only reason that is, after the most careful researches, no indictment of any person for that crime, nor any process relative to that affair, can be found.”

Of course, we now know this wasn’t the case. Through the scant accountings that exist, we know at least 50 Connecticut colonists were suspected of witchcraft, though only 34 were formally accused. Historians believe that number may actually be higher. However, knowing what could very likely be their fate, many of those accused fled to Rhode Island, New York and elsewhere before they could be formally charged.

Sadly, details about most of those colonists who stood trial for witchcraft will, in all likelihood, remain as scant and mysterious as information about those who escaped prosecution.

One person hoping to change this is Lisa Johnson, executive director of the Stanley-Whitman House in Farmington, Conn. Featuring exhibits and programs designed to educate visitors about the state’s earliest days, the museum has become an “unofficial center” for reference materials related to Connecticut’s witch trials, Johnson said, as well as the home base for “anything and everything” about Farmington resident Mary Barnes, whose witchcraft execution in January 1663 was Connecticut’s last.

Annual commemorations at the Stanley-Whitman House dedicated to Barnes include a month-long witchcraft trials exhibit, the performance of an original play about Barnes and, on milestone years like the 350th anniversary of her death in 2013, a symposium that brings together colonial New England history and witchcraft experts for panels and other discussions.

With the help of a grant from the Connecticut Humanities Council, Johnson and a team of volunteers have also compiled a survey of all known primary and secondary sources, including their locations. “It was fun. We went from city to city, meeting lots of great people and pulling together a lot of great findings. There’s a wealth of information at the local level,” Johnson said. “And what we hope will happen is that people will use these materials to erase some of the mythology that’s built up around witch trials. It seems that in too many instances, we like the mythological stories more than we like the actual ones, but I happen to think that real life is better than fiction.

“The only way to bust the myths is to get the true stories out there,” Johnson continued. “There are a number of people and agencies quietly doing this work, but we’re a drop in the bucket compared to what needs to be done. I hope that one day, some kind of widely-viewed happening occurs, or item is created, to accurately tell and connect all of the state to Connecticut’s witchcraft story.”

This book attempts just that.

But the Nutmeg State can also be credited with casting skepticism on the evidence that was being allowed to lead to guilty verdicts. Led by level-headed Governor John Winthrop Jr. who believed people were too quick to attribute unexplainable but “natural misfortunes” to witchcraft, Connecticut evolved from being New England’s most aggressive witch hunter and executioner to its most tolerant.

Connecticut Witch Trials: First Panic in the New World is written by long-time journalist at Literary New England Radio Show host Cindy Wolfe
Boynton
.

But before we delve into the full story, a note about vocabulary and mindset of the time: It’s imperative to understand that the witch “hunts” that took place in Connecticut and all of the colonies were not actual pursuits of people already identified as witches. Rather, the hunts consisted of efforts to identify colonists who were secretly living as witches. They were searches or hunts—generally conducted only after public suspicion was raised—to find individuals in league with devil who, the Puritans believed, had the power to shape-shift, control the weather, cause accidents and kill. For Puritans who lived by absolute rules in a world where there was only right and wrong, black and white, witches were people who needed to be destroyed before they could destroy the livelihoods and lives of others. There could be no other choice.

Ruthless. Cruel. Fascinating. Forgotten. Connecticut’s overlooked and largely-unknown witch trials are long overdue to be brought into the forefront. It’s a riveting period in American history. There are important lessons to be learned from better understanding this period; important reminders of where fear, greed and ignorance can lead us. Learning about Connecticut’s witch trials give us the opportunity to consider not just who were once were, but who we want to be.

Connecticut Witch Trials: First Panic in the New World is written by long-time journalist at Literary New England Radio Show host Cindy Wolfe Boynton and was published last year by The History Press.

If you follow us here or on Facebook or Twitter, you know today is the last day of Literary New England’s 5-day Witch-A-Thon. It ends tonight at midnight. Check out earlier posts to see all the frighteningly wonderful things we’ve had going on!

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Bewitching Truth about The Witch of Blackbird Pond

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Many young people learn their first facts about young America’s witch trials through the Newbury Medal-winning The Witch of Blackbird Pond, written in 1958 by Massachusetts author Elizabeth George Speare. Inspired by Colonial Wethersfield, Connecticut’s witchcraft history, the novel is part of language arts curriculums in middle schools around the country. It’s also, however, one of greatest sources of mistruths about both Connecticut’s witch panic and those that took place throughout young America.

An excerpt from Connecticut Witch Trials: First Panic in the New World explains:

Partly based on fact, the book tells the story of orphan Kit Tyler who, after her grandfather dies, travels by ship from her home in Barbados to live with her Aunt Rachel and Uncle Matthew in Connecticut’s Wethersfield Colony. The only place she feels free in this strict, Puritan community are the meadows, where she makes friends with an old Quaker woman known as the Witch of Blackbird Pond. When Kit’s friendship with the “witch” is discovered, Kit is accused of witchcraft.

Comparing fiction versus fact, the latter occurrence makes much sense. Being a “companion … of a known or convicted witch” was one of the colony’s Grounds for the Examination of a Witch and often employed. Other details and circumstances, however, don’t add up to reality, said Wethersfield Historical Society volunteer Martha Smart, who for 14 years worked at the Connecticut Historical Society as a reference librarian.

“Although it happens in the book, no one accused of witchcraft in Wethersfield was actually tried in Wethersfield,” said Smart, who several times a year leads historical tours of downtown Wethersfield that include a stop at the Buttolph-Williams House on Broad Street, which is featured in the novel. She and other docents there also tell the story of Mary Johnson, the Wethersfield woman and first colonist to admit to witchcraft (who is the focus of Chapter 3 of Connecticut Witch Trials: First Panic in the New World, written by long-time journalist at Literary New England Radio Show host Cindy Wolfe Boynton).

“Unlike the ‘witch’ in The Witch of Blackbird Pond, no woman in any Puritan community would be allowed to live alone,” Smart continued, “even if she were considered strange or an outcast. Married women were required to live with their husbands, and unmarried women to live with family members. Also, Quakers and Puritans did not mix. They lived in separate communities. But even though Puritans saw Quakers as dissidents, they would not persecute them as witches on religion alone. Remember that the Puritans left England for religious freedom, so even though they did not agree with the Quakers, they certainly did not attack them. Blackbird Pond is a great story, but it needs to be treated as such—as a story. It doesn’t portray the truth of Connecticut’s struggles with witches, though it can be used to teach tolerance and the need to be more accepting of those who are different.”

Also important is the fact that The Witch of Blackbird Pond is set in 1687: the last year of what Connecticut State Historian Walter Woodward called “a quarter-century of silence where witch hysteria faded and not a single witchcraft execution occurred.”

Fanciful facts about Connecticut’s witch trials that are true?

  • Sir Winston Churchill, former English prime minister and one of the most significant world leaders during World War II, is a descendent of Mary Staples of Fairfield, Connecticut. Mary was accused of witchcraft in 1654, exonerated, and may have been charged again in1692, though records are inconclusive.
  • Lexicographer and textbook creator Noah Webster, whose name in the United States has become synonymous with “dictionary,” is a descendent of Lydia Gilbert of Windsor, Connecticut, who was tried and hanged in 1654.

If you didn’t already know, Literary New England is in the midst of a 5-day Witch-A-Thon. Check out earlier posts to see all the frighteningly wonderful things we have going on! The Witch-A-Thon ends tomorrow at midnight.

Witch-A-Thon Giveaway #2: Win Paula Brackston’s The Silver Witch!

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What’s your favorite-colored witch? Tell us by Tweeting @LitNewEngland before midnight tomorrow, April 5, and you’ll be in a drawing to win Paula Brackston’s The Silver Witch, which doesn’t go on sale until April 21!

Brackston, who lives in the UK, is also the best-selling author of The Witch’s Daughter, The Winter Witch and The Midnight Witch. We had the privilege of talking with Paula in Spring 2014, shortly after The Midnight Witch was released, which you can hear in the Literary New England Radio Show archives.

So what is The Silver Witch all about? Here’s what the publisher says:

A year after her husband’s sudden death, ceramic artist Tilda Fordwells finally moves into the secluded Welsh cottage that was to be their new home. She hopes that the tranquil surroundings will help ease her grief, and lessen her disturbing visions of Mat’s death. Instead, the lake in the valley below her cottage seems to spark something dormant in her – a sensitivity, and a power of some sort. Animals are drawn to her, electricity shorts out when she’s near, and strangest of all, she sees a new vision; a boatful of ancient people approaching her across the water. 

On this same lake in Celtic times lived Seren, a witch and shaman. She was respected but feared, kept separate from the community for her strange looks. When a vision came to her of the Prince amid a nest of vipers she warned of betrayal from one of his own. Prince Brynach both loved and revered her, but could not believe someone close to him wished him harm, even as the danger grew. 

In her own time, Tilda’s grief begins to fade beside her newfound powers and a fresh love. When she explores the lake’s ancient magic and her own she discovers Seren, the woman in her vision of the boat. Their two lives strangely mirror each other’s, suggesting a strong connection between the women. As Tilda comes under threat from a dark power, one reminiscent of Seren’s prophecy, she must rely on Seren and ancient magic if death and disaster are not to shatter her life once more. 

If you didn’t already know, we’re in the midst of a 5-day Literary New England Witch-A-Thon. Check out earlier posts to see all the frighteningly wonderful things we have going on! The Witch-A-Thon ends tomorrow at midnight.

There was an old woman tossed up in a basket: Witchy Mother Goose

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Old women are frequently portrayed as crones or witches—even in young children’s books. This Victorian-era image is believed to have accompanied a little-known Mother Goose nursery rhyme that goes like this:

There was an old woman tossed up in a basket
Seventy times as high as the moon;
Where she was going I could not but ask it,
For in her hand she carried a broom.

“Old woman, old woman, old woman,” said I,
“O whither, o whither, o whither so high?”
“To sweep up the cobwebs from the sky,
And I’ll be with you by and by!”

If you’ve enjoyed this post, check out the others we’ve created as part of Literary New England’s 5-day Witch-A-Thon, April 1-5. Through Sunday, we’ve got witch book giveaways and lots of other frighteningly wonderful things going on!  

On Salem’s Witch House, Conversion Disorder & Witch Cake (though you may want to skip the slice of cake)

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The Witch House (left), home of Salem witch trials judge Jonathan Corwin, is the only structure with direct ties to the 1692 trials that still exists in Salem, Mass. It’s now a museum. Mary Silbley, the most powerful witch in the WGN America television series Salem, lives in a house (right) clearly inspired by Corwin’s.

In the WGN series (Season 2 premiers Sunday, April 5), Mary Sibley is a main character. But the real-life Mary Sibley was only a minor one. Historical records show that the real Mary, a neighbor of Puritan minister Rev. Samuel Parris, encouraged Parris’ slaves Tituba and John Indian to make a witch cake, which was believed to have the power to reveal witches. Parris’ daughter Elizabeth and niece Abigail Williams were among the young girls barking like dogs, screaming wildly and acting up in ways that villagers believed could only be the result of witchcraft.

As the video here featuring an educator from the Salem Witch Museum explains, a witch cake was a form of old European white magic made out of rye meal and urine from the afflicted girls. The finished cake would be fed to a dog, with the belief that as the dog ate the cake, the witch would cry out in pain as the invisible, “venomous and malignant particles” sent from her body into the bewitched girls were mashed by the dog’s teeth. When this occurred, the identity of the witch would be revealed.

As we know now, all kinds of false beliefs and happenings contributed to the frenzy that became the Salem witch panic. One of the more fascinating aspects is the possibility of a medical condition called Conversation Disorder, which the Literary New England Radio Show talked about with best-selling author Katherine Howe when her latest novel, Conversion, was released this past July.

Hear Katherine talk about her book and Conversion Disorder in the Literary New England Radio Show archives, which she describes this way:

Conversion disorder is when you are under so much stress that your body converts it into physical symptoms. And when it happens in a group the term for that is “mass psychogenic illness.” But the term we’re more familiar with, the term that’s an old-fashioned Freudian term is “hysteria.”

Learning about Conversation Disorder was part of the inspiration for Conversion, which is set at a private school in Danvers, Mass. There, teen-age girls are falling into uncontrollable frenzies. As the media arrives, and the community scrambles to find someone or something to blame, a student who’s been reading The Crucible for extra credit realizes what nobody else does: Danvers was once Salem Village, where another group of girls suffered from a similarly bizarre epidemic 300 years ago.

As Howe explains in our interview, the novel was inspired by several real-life events, including the Salem witch trials, of which she’s pretty much an expert. In addition to being a direct descendant of three Salem women accused of witchcraft, she is the author of The New York Times best-selling novel The Physick Book of Deliverance Dane (about a young woman who discovers her ties to Salem) and the non-fiction The Penguin Book of Witches.
All of her books cast a spell 🙂

If you’ve enjoyed this article, check out the others we’ve posted as part of Literary New England’s 5-day Witch-A-Thon. Between now and Sunday, we’ve got witch book giveaways and lots of other frighteningly wonderful things going on! 

Witch-A-Thon Giveaway #1: Win MJ Rose’s Witch of Painted Sorrows

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“Fear, desire, lust and raw emotion ooze off the page.” That’s how Pittsburgh Tribune-Review book reviewer Jeff Ayers describes Connecticut author MJ Rose’s latest novel, The Witch of Painted Sorrows.

Between now and Sunday, April 5, use the #witchathon hasgtag to Tweet us the name of your favorite fictional witch, and you’ll be in the running to win a copy of The Witch of Painted Sorrows, which many call Rose’s most provocative and magical spellbinder yet. One winner will be randomly chosen from entries.

Set against the lavish spectacle of 1890s Belle Époque Paris, the novel tells the story of Sandrine Salome, who flees New York for her grandmother’s Paris mansion to escape her dangerous husband. Yet what she finds there is even more menacing.

The house, famous for its lavish art collection and elegant salons, is mysteriously closed up. Although her grandmother insists it’s dangerous for Sandrine to visit, she defies her and meets Julien Duplessi, a mesmerizing young architect. Together they explore the hidden night world of Paris, the forbidden occult underground and Sandrine’s deepest desires.

There, Sandrine discovers her erotic nature as a lover and painter. But darker influences threaten: Her cold and cruel husband is tracking her down, and something sinister is taking hold. Sandrine is becoming possessed by La Lune–a witch, a legend and 16th century courtesan, who opens Sandrine’s life to a darkness that is either a gift or a curse.

The Literary New England Radio Show has been fortunate to have this best-selling novelist as a guest several times, including a 2013 interview for her novel Seduction and a 2012 interview for The Book of Lost Fragrances.

Rose recently spoke about her inspirations for The Witch of Painted Sorrows:

What attracted you to 1890s Paris?

Belle Epoch Paris was a mélange of many different styles of art, poetry and philosophies. The old guard still ran the salons. Impressionism battled for wall space with symbolism. Cults sprang up around occultism, spiritism and inspired artists and writers. All that diversity fascinated me. I spent a long time at the Gustav Moreau museum, looking not just at his masterpieces, but examining the hundreds of sketches hidden away. I searched out art nouveau buildings and visited museums to look at the work of the Nabis whose name itself which came from the Hebrew word for “prophet,” evoked both their mysticism and determination to develop a new artistic language. 

What inspired this book?

I was in Paris and visited an exhibition of a late sixteenth century female painter, Artemisia Gentileschi. She was a rarity and anomaly: A woman artist who succeeded despite enduring so much. While there was no suggestion she dabbled in the occult, her resilience and determination inspired me to create a woman named La Lune, a sixteenth century courtesan, the muse of a great artist who becomes a great artist herself. 

While she isn’t the main character in the book, she is at its heart.  It’s her descendant, Sandrine, who three hundred years later, comes to Paris and has to overcome society’s rules and mores in order to live out her passions — as a woman and an artist.

Art plays an important part in The Witch of Painted Sorrows— did you ever study painting?

Yes. I was six when I took my first art class. It was at the Metropolitan Museum of Art in New York City. And I’ve never stopped studying or wanting to be painter. When I visit a city the first place I go to is the museum. I am more at home looking at paintings and sculpture than doing anything including reading. Of every subject I am always drawn first to art and artists.

Why are you interested in the occult?

Being interested in and writing about the mystical and magical is in my blood. My great grandmother, who was French, hailed from a long line of Jewish gypsies. Grandma Berger read cards and used a crystal ball for decades to tell fortunes. She was the one who gave me a Ouija board when I was ten.

As I grew up, my great grandmother’s card and crystal ball readings continued, as did my interest in the paranormal and spiritual. Shortly before she died, and left me her own magical crystal ball, my great-grandmother tried to save my life. I was nineteen, and studying painting at Syracuse University. One morning Grandma Berger called my mother.  In an urgent voice, she told my mother that I was going to be in a fire that afternoon and she needed to warn me. My mother called, told me what Grandma Berger had said and asked me please, wherever I went that day, to stay near an exit. I did. But nothing happened. Or so I thought.

At nine that night my boyfriend, who went to Cornell, called. He sounded terribly shook up. His apartment had burned down that afternoon. He was all right, but all his clothes, books and records were destroyed. And along with them fifteen canvases I had painted. Through my paintings, I had indeed been in a fire.

Is there one place in Paris that Sandrine visits that readers can visit still?

Café de Flores. It opened its doors at 172 Boulevard Saint-Germain in 1885 and has been one of the best people-watching cafes in Paris ever since.  It’s not only one of the oldest but one of the most prestigious coffeehouses in Paris. Even though it’s next door neighbor is Les Deux Magots, frequented by Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and others, Flore is the more prestigious and less touristy of the cafés. It’s worth waiting for a table on the terrace but the art deco interior with its red seating, mahogany and mirrors transports you back in time to pre-World War II.  They also serve one of the best fromage and jambon omelets that can be had in Paris.

We’re hosting a 5-day Witch-a-Thon that starts today!

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Books and stories about witches and magic rarely fail to cast a spell.

New England’s witch history has inspired countless works of fiction and non-fiction, as well as films and television series like the WGN America’s “Salem,” which broadcasts its season 2 premier this Sunday night, April 5.

Inspired
by all the hubbub going on around the start of Salem’s 13 episodes of
“Witch Wars,” we at Literary New England decided to host a 5-day
Witch-A-Thon, featuring witch-related book giveaways, author interviews,
reading lists, feature authors and more!

Several times a day
between now and Sunday, we’ll post witchy articles, photos and lots of
other New England witch-inspired  content, so check back often!

On Twitter, @LitNewEngland and Literary New England Radio Show host @WriterCindyWB
will also post favorite #witchquotes from #witchbooks and authors who,
like us, are drawn to all things related to witches and Salem … though
as one of our upcoming articles will explain, Salem wasn’t the only New
England village to experience a witch panic. In fact, Salem wasn’t even
the first
.

More to come later. Stay tuned and become part of our
#WitchAThon by spreading the word! If you haven’t got a broom, use
Twitter, Facebook or maybe even send your familiar 🙂